The director Marco Armiliato suffered an indisposition a few minutes before the beginning of the representation so he was replaced in extremis by the young Valencian director Daniel Gil de Tejada, assistant of the teacher in these functions and habitual of the Opera of Sabadell. His performance can be described as very remarkable, with practically no mismatch between pit and stage, and knowing how to quickly tackle the few conas that occurred. The choir was at a good level, with filling and sonority in its right measure.
December 17, 2015, Gran Teatre del Liceu de Barcelona
Rubén Martínez for Codalario.com
